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But a peek at your discography shows you worked pretty consistently. Phil Collins was inspiring because right at that time he came out with “Easy Lover.” [Collins] just didn’t give a damn about drum machines and he got a different sound, a great drum sound. I had worked at my feel so hard for years and my ego took over. So people would have this look on their face like, “Let’s see what these white boys got.” And they’d look at me and say I was white boy, too, or an Uncle Tom or something. Did you have any formal training up to that point or at least work out of books like Ted Reed’s Stick Control or Syncopation? Steve Ferrone has been around a long time, he has played in numerous bands and on thousands of records over the years. 19.11.2015. One day in particular I had a session at 10 [AM] in the Bronx for an Argentinian thrash metal guy. That kit was in a storage space in New York and the place went bankrupt. It was like a Tower of Power or Chicago type of horn band, a mixture of R&B, jazz and rock. I just wish it were a bit more equitable for the people who played on it. There was a guitarist in The Piranhas who was a stickler for tempo and he was a soccer player. I had an endorsement with Pearl, so I gave him a Pearl kit and got it back. I had this idea of the way I wanted to hear a snare drum. 21:44. I interviewed Mike earlier this year. It was local. [laughs] Al Jackson was a big hero and Clyde Stubblefield later on. I was a guy who played in a band who did a lot of sessions. They’d come after me like they were going after Eric Clapton’s money. Enjoy! 11,851+ views. Find Steve Ferrone credit information on AllMusic. What happened was my life started to tumble out of control. You’d eventually go on to play with Duran Duran, Eric Clapton and land your current gig with Tom Petty and The Heartbreakers. When did you first hear about people sampling your drums and how did you feel about it? Brought up in a musical family, Steve was educated in France and was heavily influenced by the Motown sound. He’s a bad dude. You grew up in England, so the British Invasion wasn’t an invasion. But then I was working with some musicians who knew their stuff; they were schooled musicians, [the band was called] The Piranhas. At the risk of taking attention away from the Wendy’s Breakfast thread, I’m sharing this very long interview with Steve Ferrone dishing the dirt on his time with the 100-million-album-selling band, Duran Duran. People would call there to book you for sessions and they’d tell them if you were available. He drew inspiration from Jack DeJohnette, his favorite drummer, among many others. I’d just think about my problems. Steve Ferrone is an English drummer known as a member of the rock band Tom Petty and the Heartbreakers from 1994–2017, replacing original drummer Stan Ly… I hated it. Damn! Und dann sollen auch noch sechs oder sieben Alben veröffentlicht werden, ein Live Album u.s.w. It was more “play so that we can play.” The best drummer of my peers was Jeff Pocaro. Would you say that’s how you found your knack for rhythm? What was the connection between AWB and Brian Auger’s band? Was there anything specific that scared you away from it all? That was Bernard Purdie and I’d never heard syncopation like that before. Did you plan those solos or just improvise every night? Guys like the aforementioned Gadd and Purdie, as well as Earl Young, Yogi Horton, Ndugu Chancler, Idris Muhammad, JR Robinson, Harvey Mason and others were all part of this development. Interview und Gear-Chat: Steve Ferrone Er ist der Groove-Motor der Weltstars im Studio und auf der Bühne. The first time I was ever moved by music I was five or six years old and my parents took me to see an American close harmony group [touring Europe] called the Deep River Boys. Duran Duran was more of a pop band. 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