The Nevillean theory is interesting because it is the most recent one on this list. Though most literary scholars reject all alternative authorship candidates, including Oxford, popular… [178] Oxfordian Charlton Ogburn Jr. argues that the role of the Earls of Oxford was played down in Henry V and Richard III to maintain Oxford's nominal anonymity. The Telegraph: "William Shakespeare's plays were written by Earl of Oxford, claims German scholar", Shakespeare in American Life: The Wreck of the Sea Venture. In his later years, Oxford described himself as "lame". He supports the Oxfordian theory of Shakespeare authorship, according to which Edward de Vere, 17th Earl of Oxford wrote the works of Shakespeare. You are currently offline. May notes that Looney compared various motifs, rhetorical devices and phrases with certain Shakespeare works to find similarities he said were "the most crucial in the piecing together of the case", but that Looney used six poems mistakenly attributed to Oxford that were actually written by Greene, Campion, and Greville for some of those "crucial" examples. Therefore, if the play was written by Oxford, it must have been before he visited Italy in 1575. Bacon proposed the first "group theory" of Shakespearian authorship, attributing the works to a committee headed by Francis Bacon and including Walter Raleigh. Four contemporary critics praise Oxford as a poet and a playwright, three of them within his lifetime: Mainstream scholarship characterises the extravagant praise for de Vere's poetry more as a convention of flattery than honest appreciation of literary merit. [43], Mainstream academics have often argued that the Oxford theory is based on snobbery: that anti-Stratfordians reject the idea that the son of a mere tradesman could write the plays and poems of Shakespeare. Cousins, A. D. (2011), "Shakespeare's Sonnets", in Cousins, A. Andrew S. Cairncross, who in the 1930s espoused an early-authorship theory of the plays, concluded that Shakespeare's "knowledge and use" of Italian is "established." [139], Tom Veal has noted that the early play The Two Gentlemen of Verona reveals no familiarity on the playwright's part with Italy other than "a few place names and the scarcely recondite fact that the inhabitants were Roman Catholics. Allen developed the theory in his 1934 book Anne Cecil, Elizabeth & Oxford. Some commentators have interpreted this to imply that he was part of the group of authors. [176] Oxfordians, such as Dorothy and Charlton Ogburn, believe Shakespeare created such a role for the 13th Earl because it was the easiest way Edward de Vere could have "advertised his loyalty to the Tudor Queen" and remind her of "the historic part borne by the Earls of Oxford in defeating the usurpers and restoring the Lancastrians to power". The scarcity of direct "smoking gun" evidence for either Shakspere, Oxford, or any other authorship candidate is certainly frustrating: It's why people are still debating this question after hundreds of years. Most notable among these, they say, are certain similar incidents found in Oxford's biography and Hamlet, and Henry IV, Part 1, which includes a well-known robbery scene with uncanny parallels to a real-life incident involving Oxford. The De Vere Code,[157] a book by English actor Jonathan Bond, the author believes that Thomas Thorpe´s 30-word dedication to the original publication of Shakespeare's Sonnets contains six simple encryptions which conclusively establish de Vere as the author of the poems.
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