Louvre, Paris. of the Dutch forces at Breda. humanitarian tone was deliberately designed as a piece of Catholic 36. peaceful intentions as well as its military power. Real Museo, 1857. Marini, Maurizio, Velázquez, Sociedad Editorial Electa, Madrid, 1997, pp. 06.06.2020 - 25.07.2021, El palacio del Rey Planeta. This multipurpose room had two important functions; it was a throne room, and it was a place for music and theatrical performances. The Surrender of Breda is his sole surviving historical / El marques de Espinola acompañado de los capitanes de su egercito, a vista de las tropas flamencas y españolas, recibe del general gobernador las llaves de la plaza. Dayot, Armand, Le Prado de Madrid. Barón, Javier, 'El virtuosismo en la pintura española del s.XIX: Mariano Fortuny, Martín Rico y Raimundo de Madrazo' En: Del realismo al impresionismo, Fundación Amigos Museo del Prado - Galaxia Gutenberg, Madrid, 2014, pp. 409. 25. XX. Gayo, Mª Dolores; Jover de Celis, Maite, Evolución de las preparaciones en la pintura sobre lienzo de los siglos XVII y XVIII en España., Boletín del Museo del Prado, XXVIII, 2010, pp. Testamentaría Carlos II, Buen Retiro, 1701-1703. [1ª] Pieza de vestir [...] {21191} 244 / La entrega de unas llaves de una plaza = Velazquez. Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion. Breda is packed with vivid military detail—whole armies are suggested on the … Velázquez y otros, Centro de Estudios Europa Hispánica, 2008, pp. 76 f.40. Though the elaborate composition was based on a pictorial formula of Rubens, he creates a vivid impression of… 117/lám. (Note also: The terms of defeat 171. On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers that included pikemen, swordsmen and musketeers) of Flanders. IV in 1635, five years after the death of Spinola, the painting was designed The Surrender of Breda was one of the paintings that decorated the most lavish room in that palace, the Hall of Realms. Pantorba, Bernardino de, La vida y la obra de Velázquez: estudio biográfico y crítico, Compañía Bibliográfica Española, Madrid, 1955, pp. of Breda in southern Holland surrendered to the Spaniards under the famed 211-228. Velazquez also varies his brushwork. I, Patrimonio Nacional, Madrid, 1988, pp. Art critics attribute the colour palette to the influence Catálogo Museo del Prado, 1910. Boccardo, Piero, Genova e la Spagna : Opere, Artisti, Commitenti, Collezionis, Silvana Editoriale, Genova, 2002, pp. Puente, Joaquín de la, El realismo y Velázquez, Arte español, 24, 1962, pp. Harris, Enriqueta, Velázquez, Ephialte, Vitoria, 1991, pp. Juni 1625 Breda eroberte. The Diálogos, Sorolla & Velázquez, Ministerio de Cultura, SGBBAAi, 2009. 102. 183-190. Crónica de una exposición de copias en 1925., Boletín del Museo del Prado, 44, 2008, pp. In 1625, after a ten-month siege, the city Portús, Javier, La sala de Las Meninas en el Museo del Prado; o la puesta en escena de la obra maestra., Boletín del Museo del Prado, XXVII, 2009, pp. Lanzas (the lances), and one of its most obvious features is the comparison The Museo del Prado in Madrid retains the original painting, alongside a fine collection of other Velazquez artwork. This new puzzle is based on La rendición de Breda (English: The Surrender of Breda, also known as Las lanzas – The Lances) – a painting by the Spanish painter Diego Velázquez.
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